Rating: 9.5 out of 10
John Fogerty's eponymous (self-titled) album was really his second solo project, and was released in the year I was born (1975). With the tribute album he felt he had to record behind him, he thankfully turned his attention to writing more amazing music. Like Willy and the Poorboys, the songs cover a wide range of musical styles. Not many of the tunes remind me of Creedence (which is probably a good thing, as Fogerty was sued by Fantasy many years later for plagiarizing himself), but the songs are still excellent. As good as they are, though, I keep hearing moments of unused potential, and if Fogerty had made the songs a bit more exciting with extra guitar work, and lengthened them, this album could have been a 10. But who am I to tell the Master how to write his songs?
Rockin' All Over the World (2:50) - This would have been a good title song, but John Fogerty is fine, if that's what he wanted! Fogerty's voice is back to his perfect raspiness. The high guitar notes are just restrained enough not to be screechy (which I hate!), and the piano in the middle is a nice touch. I like it, I like it, I la-la-like it!
You Rascal You (2:37) - Fogerty's tongue-in-cheek vocals always make me laugh. Or is he really wishing happily that someone kicks the bucket (perhaps Mr. Greed himself, Saul Zaentz)? I find it very difficult to classify this song, but I love the opening bars of "Auld Lang Syne" (I think) and the great horn instruments.
The Wall (2:55) - This is by far the rawest song on the album, and the one that reminds me most of Creedence - particularly Bayou Country tunes. It would fit in perfectly on that record, especially with Fogerty's gravelly voice, the gloomy lyrics, and the all-too-brief harmonica break in the middle. One of the best tunes on the album, but like I said before, they're all excellent.
Travelin' High (3:14) - Horns are the dominating instruments on this jiving song, and they're played with a lot of emotion. A bit of improvement could be made in the breaks between the horn "riffs" - instead of one or two guitar notes being played, brief, rapid licks would be better, in my opinion. Still, a great listen.
Lonely Teardrops (4:22) - I was aware of the song list well in advance of acquiring the album, and I was very anxious to hear this song, because I had heard another version, and I loved it! I wondered how (or it) Fogerty could improve on it, like most of the Creedence cover tunes did. Of course, he succeeded, even though he only sings the chorus, leaving out the verses. His superb voice, sax, organ, and guitar combine for a masterpiece. "Say you will" listen to this again!
Almost Saturday Night (2:26) - My mother said this sounded a lot like Creedence at her first listen. I disagreed at first, but now I think she's right (but then, she's always right!). Fogerty's uplifting voice and nice guitar work highlight the tune. And the famed Jody makes a brief appearance, this time going to a rodeo!
Where the River Flows (2:28) - A very gospel-influenced song, somewhat reminiscent of some of The Blue Ridge Rangers. The vocals are a standout as usual, and the rhythm is very moving and enjoyable. My only complaint is that it's too short! The Man could probably have written a few more verses or included an instrumental break in the middle.
Sea Cruise (3:09) - Another superb Fogerty rendition of a popular song. His voice is so raw (especially the throaty "ooowee"'s) that it gives me shivers, and a stark contrast to the chipper original. I love the pier sound effects and pounding piano at the beginning, and the foghorns and joyous sax throughout.
Dream-Song (3:07) - My least favourite song on the album, because it's kind of slow at the start, but the last verse is more upbeat and enjoyable. The horn section in the middle (I think trumpet and trombone, but I'm not an expert on brass) is interesting, but almost out of place. Still, a nice melody and good lyrics.
Flyin' Away (4:18) - This is one of my all-time favourite Fogerty tunes, but it could be even better. Like "Travelin' High", the guitar during the vocals is not exciting enough - just a few notes at a time. Also, the musical break in the middle is too repetitive and boring. Having said that, Fogerty's voice has rarely had such emotion and meaning to it, and the guitar before the fade-off is excellent. A sparkling gem despite flaws.
Rating: 9.5 out of 10
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